It should come as no surprise that composers of music for motion pictures continually mine the classical repertoire, just as contemporary novelists grab whatever they can from the stocks of literature, ancient and modern. (Have you heard the story, for instance, of “a cultivated man of middle age [who] looks back on the story of an amour fou, one beginning when, traveling abroad, he takes a room as a lodger. The moment he sees the daughter of the house, he is lost. She is a preteen, whose charms instantly enslave him. Heedless of her age, he becomes intimate with her. In the end she dies, and the narrator—marked by her forever—remains alone.” The story was published in 1916; its author is Heinz von Lichberg. Not the story you were thinking of, is it? It was, however, called “Lolita.” All this courtesy of an article by Jonathan Lethem in the February 2007 Harper’s, “The Ecstasy of Influence.”)
Today’s musical tidbits revolve around the Hitchcock classic Psycho. Anyone who’s seen it cannot help but be struck by the soundtrack, composed by the acclaimed Bernard Hermann. As Wikipedia notes, “The screeching violin music heard during the famous shower scene (which Hitchcock originally suggested have no music at all) is one of the most famous moments from all film scores.” Here’s what it sounds like, in case you’ve forgotten:
Now here’s a snippet from a piece composed some forty years earlier:
I think it’s unlikely Hermann would have been unaware of Prokofiev’s Violin Concerto No. 1, which has enjoyed enormous popularity over the years. (The clip above features Berl Senofsky with the Cleveland Orchestra under George Szell; my best guess is that this radio broadcast dates from the late fifties or early sixties.) Hermann’s music is quite different, both in its relentless repetition and the palette of accompanying notes. And yet one can’t help but feel he must have been inspired, consciously or not, by the Prokofiev. (If unconsciously, it would be a case of cryptomnesia—another tip of the hat to Jonathan Lethem.)
For the technically curious, I offer this Q&A about the actual notes used in the Psycho excerpt:
Q: What are the notes or note being played during “The Murder” in the famous shower scene (the violin shrieks)? (from Mr. Bunderfull in Chicago Ill. U.S.A.)
A: The highest note in the violins is an E flat, but the second violins are playing an E natural, and lower voices are playing F and G flat. So basically, the highest note is E flat, but everything from E flat to G flat is being heard. (thanks to Gizm, Texas)
If you like this sort of thing, here’s something similar.
